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The Gangster Genre

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... Yet, so much of Tokyo Drifter seems to be an embracing of western ideals from dress to the gangster/hero film genre. The genre by doing away with numerous accepted conventions of the American musical genre, most specifically that of linear finally emerges as a love story again that both demystifies the genre of romance yet uses so many of the genre's traditions, of loyalty and redemption, individuality or family. Through the violence of a very western gangster genre, (Ghost Dog's final scenes). Such violence is characteristic of Gangster films, and like other films in the genre, Ghost Dog's "final conclusion ...



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Sources list for THE GANGSTER GENRE:

Andrew Tudor, "Genre" in Film Genre: Theory and criticism , pp 3 - 10. Edited by Barry Keith Grant, Texas: University of Texas Press, 1995.
The Art Film and the Genre Film

Schatz, Thomas. *Film Genre and the Genre Film.* Film Theory and Criticism. Ed. Braudy, Leo, Marshall Cohen. Oxford University, 1999.
Can the Horror Genre and Scopophilia Co-Exist?

Hager, Jean(1998), How to Write and Market Your Mystery Novel, Southmount Publishing, GA. (this book used as a means to clarify genre and sub-genre levels, example only) http://www.booknotes.org/writers/stats3.htm
How Publishers Construct Genre

Thomas Sobchack, "Genre Film: A Classical Experience" in Film Genre Reader2 , pp 19 - 32. Edited by Keith Grant. Austin: University of Texas Press, 1995.
The Art Film and the Genre Film

Author not available, Genre Theory. Accessed on 23-3-2004 from: http://www.jahsonic.com/Genre.html
Romantic Comedy

 


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